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Joni Mitchell
Canadian musician
The numbers
2 + 6 = 8
Lo Shu grid
Missing: 5. Present digits repeat to show how many times they occur.
Life path 8 — The Executive
Eight is the number of material consequence — authority, money, scale, the machinery that makes things actually happen. Tradition reads it as unusually comfortable with leverage and unusually clear-eyed about what things cost. It carries the sharpest warning of the nine: 8 is described as the number most able to build something large and most able to be consumed by it, with the reading turning on whether the power is aimed at anything beyond itself.
Complete lines
Line of Reason
A complete line in the grid.
Line of Action
The 8-1-6 row complete. Read as follow-through — the traditional marker of someone whose plans reliably become events.
Line of Expression
A complete line in the grid.
Line of Ambition
The 7-8-9 column complete. Read as drive that has both the wish and the machinery — the traditional marker of someone who converts intention into position.
Cooperation
A complete line in the grid.
Responsibility
A complete line in the grid.
Organisation
A complete line in the grid.
Care
A complete line in the grid.
Repeated numbers
1 appears 3 times
Concentrated self-direction. Read as conviction that does not need external agreement — and does not always seek it.
What is missing
Missing 5
The centre of the grid, so its absence is weighted heavily. Read as difficulty adapting mid-course — a preference for the plan already chosen over the plan now indicated.
Vedic — Ank Jyotish
Moolank 7 comes from the day of the month alone; Bhagyank 8 from the whole date. They differ, which is the ordinary case — the two numbers answer different questions.
Ketu
The descending lunar node — the other shadow graha. Detachment, renunciation, the unfinished. Read as spiritual pull and worldly indifference.
Bhagyank uses the same arithmetic as the Western life path, so the two will always agree. That is not two traditions confirming each other — it is one calculation under two names.
In their words
You're twiddling and you find the tuning. Now the left hand has to learn where the chords are, because it's a whole new ballpark, right? So you're groping around, looking for where the chords are, using very simple shapes. Put it in a tuning and you've got four chords immediately— open, barre five, barre seven, and your higher octave, like half fingering on the 12th. Then you've got to find where your minors are and where the interesting colors are — that's the exciting part.
"That's one thing that's always, like, uh, the major difference between the performing arts to me, and being a painter, you know. Like, a painter does a painting, and he does a painting — and that's it, you know. He's had the joy of creating it, and he hangs on a wall, and somebody buys it, somebody buys it again, or maybe nobody buys it, and it sits up in a loft somewhere until he dies. But he's never, you know, nobody ever says to him, you know, nobody ever said to Van Gogh, 'Paint a Starry Night again, man!' You know? He painted it, and that was it.
I need to explore and discover and so that has given me, really, to some what seems like courage, but really it's just in my stars, there's nothing I can do about it . . . . I guess I'll just take my award and run now.
I don't like being too looked up at or too looked down on. I prefer meeting in the middle to being worshipped or spat out.
…This is a period of relaxation for me, but there are still some weeds that need pulling. I kind of go with Thumper, you know, from Bambi. "If you can't say anything nice, don't say anything at all." That was my philosophy for a long time as a young person. However, I lost Thumper's guidance as I grew older…He returns from time to time.
…It's, you know, the words to the song are your script. You have to bring the correct emotion to every word. You know, if you sing it pretty – a lot of people that cover my songs will sing it pretty – it's going to fall flat. You have to bring more to it than that.
Sourced from Wikiquote, restricted to the subject’s own sourced sections.