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Mexican filmmaker and author (born 1964)
Missing: 2, 5, 7, 8. Present digits repeat to show how many times they occur.
Three is the number of expression — the point at which a thing becomes shareable. Tradition links it to language, humour, performance and the ability to make an idea land. It is generally read as the most immediately likeable number, and the reading usually adds a warning in the same breath: fluency can outrun substance, and 3 is described as capable of talking its way past work it has not actually done.
The 8-1-6 row complete. Read as follow-through — the traditional marker of someone whose plans reliably become events.
Read as bluntness: reaching the conclusion without the intermediate handling. The tradition frames this as a timing gap rather than a lack of feeling.
The centre of the grid, so its absence is weighted heavily. Read as difficulty adapting mid-course — a preference for the plan already chosen over the plan now indicated.
Read as reluctance to sit with an unresolved question. Associated with wanting the working answer rather than the true one.
Read as discomfort with power and money — not incapacity, but an unwillingness to claim authority openly.
Moolank 9 comes from the day of the month alone; Bhagyank 3 from the whole date. They differ, which is the ordinary case — the two numbers answer different questions.
Mars. Force, conflict, courage, blood. Read as energy that must be aimed at something.
Bhagyank uses the same arithmetic as the Western life path, so the two will always agree. That is not two traditions confirming each other — it is one calculation under two names.
"The point of being over 40 is to fulfill the desires you've been harboring since you were 7.
Para mí estas cosas son como una cebolla, entre más capas descubres, más vas llorando. No hay vencedores en las guerras, sólo sangre y vencidos.
Lo que me interesa del fascismo es justamente que es un hoyo negro de la voluntad. Es un sistema que no necesariamente es único, pero absuelve la brutalidad, absuelve la falta de moral y absuelve la decisión propia. Cuando te dicen "Tú puedes matar a esta gente porque que son judíos, rojos o homosexuales, ¡lo que sea!" En ese mundo puedes permitir una acción brutal en base a un consejo colectivo, eso es lo que me asusta.
Lo que más interesante es en la naturaleza existen dos especies, unicamente dos especies que son expansionistas: el hombre y los insectos. Las demás especies son territoriales. El insecto es devorador, expansionista, hasta que se siegue expandiendo y no le importa. Y el hombre es así... las dos especies que van a acabar peleándose por el mundo van a ser insectos y hombres.
"There is beautiful in the grotesque.
"I never liked horses, but after this scene, I hate them. I hate them, they are nasty animals, and I hate cows. Cows are evil. Cows are absolutely evil, I tell you. They look, like, inoffensive, but they're perverted creatures, and so are horses, they are absolutely evil motherfuckers.
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