British entomologist (1912–1977)
Missing: 3, 5, 6. Present digits repeat to show how many times they occur.
Nine completes the cycle, and the tradition treats it as the number that has already been round once: broad, forgiving, oriented toward something larger than a single life. It is read as the number of the reformer and the artist. Its tension is the mirror of 6 — where 6 over-gives to the people in front of it, 9 is described as giving to humanity in general while the people in front of it wait.
A complete line in the grid.
The 7-8-9 column complete. Read as drive that has both the wish and the machinery — the traditional marker of someone who converts intention into position.
A complete line in the grid.
A complete line in the grid.
Concentrated sensitivity. Read as perception so continuous it becomes hard to switch off.
Read as difficulty getting the inner picture out — the thought is complete, the expression lags. Often described in people whose written voice is far stronger than their spoken one.
The centre of the grid, so its absence is weighted heavily. Read as difficulty adapting mid-course — a preference for the plan already chosen over the plan now indicated.
Read as a complicated relationship with obligation — either avoiding it or over-shouldering it, rarely a settled middle.
Moolank 6 comes from the day of the month alone; Bhagyank 9 from the whole date. They differ, which is the ordinary case — the two numbers answer different questions.
Venus. Art, pleasure, relationship. Read as attraction and aesthetic sense.
Bhagyank uses the same arithmetic as the Western life path, so the two will always agree. That is not two traditions confirming each other — it is one calculation under two names.