
Portuguese novelist (1922–2010)
Missing: 4, 7, 8. Present digits repeat to show how many times they occur.
Five sits at the centre of the Lo Shu grid and at the middle of 1–9, and the tradition makes much of that: it is the number of movement, appetite and change. Practitioners associate it with travel, reinvention and an unusually high tolerance for uncertainty. The reading is equally direct about the cost — 5 is described as leaving at the point where things get repetitive, which is often the point just before they would have paid off.
The 8-1-6 row complete. Read as follow-through — the traditional marker of someone whose plans reliably become events.
A complete line in the grid.
The 1-5-9 diagonal complete. Read as determination that survives the middle of a project, when the initial energy has gone and the result is not yet visible.
A complete line in the grid.
Concentrated self-direction. Read as conviction that does not need external agreement — and does not always seek it.
Concentrated sensitivity. Read as perception so continuous it becomes hard to switch off.
Read as impatience with structure and maintenance. Associated with starting well and leaving the scaffolding to someone else.
Read as reluctance to sit with an unresolved question. Associated with wanting the working answer rather than the true one.
Read as discomfort with power and money — not incapacity, but an unwillingness to claim authority openly.
Moolank 7 comes from the day of the month alone; Bhagyank 5 from the whole date. They differ, which is the ordinary case — the two numbers answer different questions.
The descending lunar node — the other shadow graha. Detachment, renunciation, the unfinished. Read as spiritual pull and worldly indifference.
Bhagyank uses the same arithmetic as the Western life path, so the two will always agree. That is not two traditions confirming each other — it is one calculation under two names.
...eu já estava na vigésima parte do livro, triste, quando senti que o livro podia ser escrito. Percebi que só seria capaz de escrevê-lo se o fizesse como se contasse. Não passando para a escrita o chamado discurso oral, porque isso é impossível, mas introduzindo na escrita um me-canismo de aparente prolixidade, aparente desor-ganização do discurso. Digo aparente porque sei o trabalho que me deu fazer de conta que era tudo assim.
Deus é o silêncio do universo, e o homem o grito que dá um sentido a esse silêncio.
Le religioni, tutte, senza eccezione, non serviranno mai per avvicinare e riconciliare gli uomini e, al contrario, sono state e continuano a essere causa di sofferenze inenarrabili, di stragi, di mostruose violenze fisiche e spirituali che costituiscono uno dei più tenebrosi capitoli della misera storia umana.
From literature to ecology, from the escape velocity of galaxies to the greenhouse effect, from garbage disposal methods to traffic jams, everything is discussed in our world. But the democratic system, as if it were a given fact, untouchable by nature until the end of time, we don't discuss that.
A writer is a man like any other: he dreams. And my dream was to be able to say of this book, when I finished: 'This is a book about Alentejo'.
Não é a pornografia que é obscena, é a fome que é obscena
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