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Peter Jackson
New Zealand film director, screenwriter, producer and actor (born 1961)
The numbers
2 + 2 = 4
Lo Shu grid
Missing: 5, 7, 8. Present digits repeat to show how many times they occur.
Life path 4 (master 22) — The Master Builder
Twenty-two is read as the most practical of the master numbers: the method of 4 pointed at something much larger than one life. Tradition associates it with institutions, infrastructure and work meant to outlast the person doing it. Its difficulty is scale itself — the reading describes an ambition large enough that ordinary progress feels like failure.
Complete lines
Line of Action
The 8-1-6 row complete. Read as follow-through — the traditional marker of someone whose plans reliably become events.
Line of Expression
A complete line in the grid.
Cooperation
A complete line in the grid.
Care
A complete line in the grid.
Repeated numbers
1 appears 4 times
Concentrated self-direction. Read as conviction that does not need external agreement — and does not always seek it.
What is missing
Missing 5
The centre of the grid, so its absence is weighted heavily. Read as difficulty adapting mid-course — a preference for the plan already chosen over the plan now indicated.
Missing 7
Read as reluctance to sit with an unresolved question. Associated with wanting the working answer rather than the true one.
Missing 8
Read as discomfort with power and money — not incapacity, but an unwillingness to claim authority openly.
Vedic — Ank Jyotish
Moolank 4 comes from the day of the month alone; Bhagyank 4 from the whole date. They coincide here, which happens for about 11% of this database and is read as root and destiny pointing the same way.
Rahu
The ascending lunar node — a shadow graha, not a physical body. Disruption, ambition, the unconventional. Read with more caution than any other.
Bhagyank uses the same arithmetic as the Western life path, so the two will always agree. That is not two traditions confirming each other — it is one calculation under two names.
In their words
Fantasy is an 'F' word that hopefully the five second delay won't do anything with
I don't take stuff seriously. I saw 'Hellraiser 3' the other day at Cannes; it's OK, it's a good film, I didn't hate it or anything. I thought it was quite good, but it was all just so serious. Some guy walking round with pins sticking out of his face. I just can't sit there and think ,'this is really scary.' If I made a 'Hellraiser' film, I'd like Pinhead to be whacked against a wall and have all the pins flattened into his face.
And so I look back on not just the last ten years but everything that I've done as being sort of an ongoing growing continual film school. I mean I don't think I've got to a point where I've achieved anything that feels like, a particular milestone, but there's still a lot more to learn and hopefully a lot more films to make.
Kong bites his head off in a PG13 kinda way
I'm a Derek and Dereks don't run
Remember, pain is temporary; film is forever.
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