
Austrian playwright and novelist
Missing: 7, 8. Present digits repeat to show how many times they occur.
Five sits at the centre of the Lo Shu grid and at the middle of 1–9, and the tradition makes much of that: it is the number of movement, appetite and change. Practitioners associate it with travel, reinvention and an unusually high tolerance for uncertainty. The reading is equally direct about the cost — 5 is described as leaving at the point where things get repetitive, which is often the point just before they would have paid off.
The 8-1-6 row complete. Read as follow-through — the traditional marker of someone whose plans reliably become events.
A complete line in the grid.
A complete line in the grid.
The 1-5-9 diagonal complete. Read as determination that survives the middle of a project, when the initial energy has gone and the result is not yet visible.
A complete line in the grid.
A complete line in the grid.
Read as reluctance to sit with an unresolved question. Associated with wanting the working answer rather than the true one.
Read as discomfort with power and money — not incapacity, but an unwillingness to claim authority openly.
Moolank 2 comes from the day of the month alone; Bhagyank 5 from the whole date. They differ, which is the ordinary case — the two numbers answer different questions.
The Moon. Mind, mood, reflection. Read as receptivity and changeability.
Bhagyank uses the same arithmetic as the Western life path, so the two will always agree. That is not two traditions confirming each other — it is one calculation under two names.
For the first thing a proprietor learns, and painfully at that, is: Trust is fine, but control is better.
Sometimes, of course, art creates the suffering in the first place.
Every child instinctively heads toward dirt and filth unless you pull it back.
The artist is lonesome and admits his solitude.
Of course, art turns many people away for there has to be a limit. The limits between the gifted and the ungifted.
There are no holidays for art; and that's just fine with the artist.
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