
German physicist and physiologist (1821-1894)
Missing: 5, 7, 9. Present digits repeat to show how many times they occur.
Six is read as the number of responsibility — family, service, the assumption that if something needs doing for someone else you are the one who does it. The tradition treats it warmly and then names the trap plainly: care given without limit becomes control, and the person who is always needed rarely learns to ask. Six is described as the number most likely to be exhausted and least likely to say so.
A complete line in the grid.
A complete line in the grid.
A complete line in the grid.
A complete line in the grid.
A complete line in the grid.
Concentrated self-direction. Read as conviction that does not need external agreement — and does not always seek it.
The centre of the grid, so its absence is weighted heavily. Read as difficulty adapting mid-course — a preference for the plan already chosen over the plan now indicated.
Read as reluctance to sit with an unresolved question. Associated with wanting the working answer rather than the true one.
Read as a narrowed field of view: strong loyalty close in, less pull from causes further out.
Moolank 4 comes from the day of the month alone; Bhagyank 6 from the whole date. They differ, which is the ordinary case — the two numbers answer different questions.
The ascending lunar node — a shadow graha, not a physical body. Disruption, ambition, the unconventional. Read with more caution than any other.
Bhagyank uses the same arithmetic as the Western life path, so the two will always agree. That is not two traditions confirming each other — it is one calculation under two names.
The formation of scales and of the web of harmony is a product of artistic invention, and is in no way given by the natural structure or by the natural behaviour of our hearing, as used to be generally maintained hitherto.
As you are aware, no perceptions obtained by the senses are merely sensations impressed on our nervous systems. A peculiar intellectual activity is required to pass from a nervous sensation to the conception of an external object, which the sensation has aroused. The sensations of our nerves of sense are mere symbols indicating certain external objects, and it is usually only after considerable practice that we acquire the power of drawing correct conclusions from our sensations respecting the corresponding objects.
Every great deed of which history tells us, every mighty passion which art can represent, every picture of manners, of civic arrangements, of the culture of peoples of distant lands or of remote times, seizes and interests us, even if there is no exact scientific connection among them. We continually find points of contact and comparison in our own conceptions and feelings; we get to know the hidden capacities and desires of the mind, which in the ordinary peaceful course of civilised life remain unawakened. It is not to be denied that, in the natural sciences, this kind of interest is wanting. Each individual fact, taken by itself, can indeed arouse our curiosity or our astonishment, or be useful to us in its practical applications. But intellectual satisfaction we obtain only from a connection of the whole, just from its conformity with law.
There is a kind, I might almost say, of artistic satisfaction, when we are able to survey the enormous wealth of Nature as a regularly ordered whole — a kosmos, an image of the logical thought of our own mind.
The last decades of scientific development have led us to the recognition of a new universal law of all natural phenomena, which, from its extraordinarily extended range, and from the connection which it constitutes between natural phenomena of all kinds, even of the remotest times and the most distant places, is especially fitted to give us an idea of what I have described as the character of the natural sciences, which I have chosen as the subject of this lecture.
The quantity of force which can be brought into action in the whole of Nature is unchangeable, and can neither be increased nor diminished.
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