
Irish singer
Missing: 3, 7, 8. Present digits repeat to show how many times they occur.
Twenty-two is read as the most practical of the master numbers: the method of 4 pointed at something much larger than one life. Tradition associates it with institutions, infrastructure and work meant to outlast the person doing it. Its difficulty is scale itself — the reading describes an ambition large enough that ordinary progress feels like failure.
A complete line in the grid.
The 1-5-9 diagonal complete. Read as determination that survives the middle of a project, when the initial energy has gone and the result is not yet visible.
A complete line in the grid.
A complete line in the grid.
Read as difficulty getting the inner picture out — the thought is complete, the expression lags. Often described in people whose written voice is far stronger than their spoken one.
Read as reluctance to sit with an unresolved question. Associated with wanting the working answer rather than the true one.
Read as discomfort with power and money — not incapacity, but an unwillingness to claim authority openly.
Moolank 1 comes from the day of the month alone; Bhagyank 4 from the whole date. They differ, which is the ordinary case — the two numbers answer different questions.
The Sun. Authority, visibility, the self as centre. Read as leadership that is seen.
Bhagyank uses the same arithmetic as the Western life path, so the two will always agree. That is not two traditions confirming each other — it is one calculation under two names.
When we were growing up, the 45 single was the heart of rock-and-roll and in many regards still is. It's the hardest thing to pull off. The surest sign that a band is growing stale and running out of creative ideas is when it turns to prog. And I well remember the 1970s when prog almost destroyed rock music. It's the mold growing on a congealed band on its last legs. Indeed, it still lurks among us in new, insidious forms like indie. The few times U2 has attempted prog, we've tempered it with good songwriting.
Rock n roll stops the traffic
It is fair to say that we overreacted a bit. … Its not really worth defending my action, I did it in the spirit of the concert, and I thought I did it in the spirit of the artist's work, and he agreed — but, in fact he didn't own his work anymore, as most artists are prone to , he'd sold it, and the City of San Francisco owned it, and they didn't like what I did at all. … Its a really wild thing, you know, you're in Rock n Roll band — you know, I happen to sell millions of records — people therefore think that makes you a responsible citizen — this is not true. … I think this is one of the more mild actions of tour-madness. … It's the music that is magical with U2. … I don't mind being arrested for putting on a free concert, but I don't want to be arrested for being a vandal. I am a vandal and I do regret what I did. I really do regret it. It was dumb.
What a city, what a night, what a crowd, what a bomb, what a mistake, what a wanker you have for a President.
It's an amazing thing to think that ours is the first generation in history that really can end extreme poverty, the kind that means a child dies for lack of food in its belly. That should be seen as the most incredible, historic opportunity but instead it's become a millstone around our necks. We let our own pathetic excuses about how it's "difficult" justify our own inaction. Be honest. We have the science, the technology, and the wealth. What we don't have is the will, and that's not a reason that history will accept.
We can be the generation that no longer accepts that an accident of latitude determines whether a child lives or dies. But will we be that generation?
Sourced from Wikiquote, restricted to the subject’s own sourced sections.